Othello arrives to see about the commotion, and finding Cassio at fault, dismisses him from his position. Iago decides that this is good enough a reason as any, even though he has no evidence whatsoever, he explains this when he says will do as if for surety. He's paranoid Emilia has slept with O and C too! Best summary PDF, themes, and quotes. In his soliloquies and dialogues he reveals himself to the audience to be a master of connotative and metaphoric language, inflammatory imagery, emotional appeals, well-placed silences, dubious hesitations, leading questions, meaningful repetition, and sly hints. Struggling with distance learning? Would not have made it through AP Literature without the printable PDFs. On the other hand, Othello is also to blame as Iago had only set forth accusations and opinions yet Othello himself decided to follow them. YOU MIGHT ALSO LIKE. Analyze how and why individuals, events, or ideas develop and interact over the course of a text. Iago is very ambiguous in his use of the word fair. The Duc had studied under B--, il avait tu ses six hommes. Whereas the acting f the play started on the streets of Venice going to the court and finally to Cyprus's beaches. When faced with this accusation, Iago simply offers that killing Cassio will. It means that Cassio is gonna be tricked by Iago and used. The relationship between Roderigo and Iago is obviously somewhat close. Othello: Act II Study Questions Scene i 1. Iago says how there are "many a duteous and knee crooking knave thatwears out his time, much like his master's ass". When Lodovico shows up at the beginning of Act 4, Othello is already completely overtaken by Iago's influence. Teachers and parents! He uses this particularly well with Roderigo and Othello. They reveal that Iago is malicious and malevolent and his methods are manipulative. Desdemona is so in love with Othello and Iago is gonna turn that purity into darkness. Iago uses his deft and astute strategic acts of manipulation to undermine each characters weaknesses. It seems that Othello is more interested in keeping up appearances than in showing love for his wife; indeed, he does love her, but he seems unable to allow his love to inhabit a private, personal sphere, apart from his public life and image. Iago makes a complete fool out of Roderigo. Without it, he sees himself as a beast, using the kind of animal imagery that other racist characters had used only to describe Othello. None of the characters in the play have any idea of Iago's plans and evil intentions; Othello and Cassio are especially unaware of this knowledge. Cassio fights Montano, and gravely wounds him. Throughout the play, Iago leads Roderigo by the collar professing that he "hate(s) the Moor" [Act I, Scene III, Line 344] and telling Roderigo to "make money" [Act I, Scene III, Line 339] to give Desdemona gifts to win her over. Despite Iago's confession to Rodrigo, he continues to trust this two-faced "confidante" who swears "by Janus," and who sows doubt, destruction and despair in the paths of all he encounters. Here he is cultivating the seeds of doubt in Othello's mind. What does it mean? " While Iago is able to persuade Roderigo to give it more time, Roderigo doesn't completely trust Iago as he did before. He promises to turn Desdemona's generosity against her, and use it to provoke Othello's jealousy and ruin everyone. Desdemona arrives later with Iago and Emilia. He is a ladies man, he is loyal to Othello, he has a weakness for alcohol, Iago urges Roderigo to provoke Cassio by telling him that, Iago and Cassio (Iago - manipulative, hates women // Cassio - loves women, manipulated), In Scene 3, Othello becomes angry with Cassio because, while supervising the watch, Cassio got into a fight. Iago also appeals to Roderigos pathos in line 301 when he says that if Roderigo kills himself by drowning, then Iago will never love him after he dies. Is there any evidence for these reasons? Teacher Editions with classroom activities for all 1699 titles we cover. Othello can think of nothing but his jealousy and Desdemona's supposed adultery. The original text plus a side-by-side modern translation of. I hate the Moor: and it is thought abroad, that twixt my sheets he has done my office: I know not ift be true; but I for mere suspicion in that kind, will do as if for surety. Othello, meanwhile, his crime staring him in the face, now can only preserve his honor by insisting that Iago's version must be the truth. This quote is comparing Cassio to a dog. Iago tries to convince him that a reputation means little; and, if he talks to Desdemona, maybe he can get her to vouch for him with Othello. 2. A messenger arrives with news that the Turkish fleet has been so damaged by the storm that it no longer threatens Cyprus. Iago's speech also plays on Othello's insecurities perfectly; he speaks of Othello's age, race, and manners as reasons why Desdemona will grow tired of him, which are also reasons why Othello fears he might lose her. What do these actions reveal about Iago and his methods? By combining a healthy diet and regular exercise, you can lose up to 70% of your excess body weight with a gastric sleeve. Iago's motives could be all of these reasons and more, or they could be none; indeed, Shakespeare leaves the root of Iago's malignancy unexplained, while showing the fruits of his evil in full. An illustration of a heart shape Donate. Iago uses the appeal to ethos twice in the passage, in line 331 and then again in lines 355-357. The group wait, bantering on the topic of women. The setting changed from normal to stormy weather. How do Wheatley and Adams cope with: slavery; lack of security due to inaction; absolute power of men? Iago himself plays on his honesty throughout his play, I am not what I am, thus the audience realises that in the end act two the quotation appears 5 times, three in which in his soliloquy alone, pleased with giving Cassio advice in which he can be reinstated, Iago asks Cassio And whats he then that says I play the villain, When this advice is free I give, and honest, he appears to be giving faithful advice to Cassio go to Desdemona and plead to her, for she controls Othellos mind. -Graham S. In changing her story, Desdemona tries to spare Othello from the punishments he will receive, proving her love and devotion to him to the very last. The characters that comment on the storm are mariners, alluding to Ursa Minor and stars used for navigation; this is a testament to Shakespeare's ability to craft credible dialogue for a great diversity and range of characters. Iago easily convinces him out of it by pointing out Othellos shortcomings. Verbal twists and the characters most importantly stress the act of evil. Iago 4. Each plot point is spiraled further into tragedy due to the nature of Iago and his manipulative language towards the other main characters. An illustration of text ellipses. Does Iago use other words that would also alarm him? Shakespeare uses this character to set the basis of evil. He commits suicide claiming that His only crime was loving too much. In this Iago confides that he plays two roles, one which is him in reality his true greedy and obsessive side in which the audience finds him in his soliloquies and the other, when he is the company of others and is referred to as honest Iago or good friend. What step in his plan to entrap the main characters does Iago take at the end of Act II? A storm has dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello's safety. Instant PDF downloads. The diverse set of activities below include short group performances, writing exercises, and the guided use of online dictionaries and concordances to study Shakespeare's language. Roderigo is a simple-minded fool who believes that by giving money to a lowly ensign he can win the love of Desdemona, have her marriage to Othello dissolved, and restore her virtue. Students love them!, Requesting a new guide requires a free LitCharts account. Othello can't analyze realityhe can't even differentiate between Emilia's and Desdemona's voices. Dont waste Your Time Searching For a Sample. 4165) for what he says about himself and how he describes himself. Othello begins the play speaking in a lofty register. -Graham S. Cassio, insisting that he is not drunk when he clearly is, seeks to maintain his honor or dignity via an illusion about himself. Another way in which the play could be interpreted is the fact that he was not promoted and so that he could achieve his sweet revenge, in order to do so he must break Othello part from part slowly (as in his references to poison throughout the play) and the thing he loves dearest Desdemona as well as not revealing his true intentions. The next time around, however, Roderigo makes a direct attack on Iago saying that Iago is purposely tricking Roderigo. What in-formation do Roderigo and Iago give to Brabantio regarding Des-demona . Iago decides that this is good enough a reason as any, even though he has no evidence whatsoever, he explains this when he says "will do as if for surety. However, we as viewers only come to find that this advice is means for Othello to suspect his wife Emilia of sexual relations with Cassio. The groups will consult the. He suggests that even really good actions can produce bad effects. See Gilchrist, K. J. Although Othello and Desdemona's reunion is joyful and passionate, the language of the scene hints at other emotions in Othello. In the third scene of the third act, Iago's use of language makes him very visible to the audienceby this point the audience is well aware that Iago is jealous of . Iago is, of course, the serpent who uses "Eve" (Desdemona) to get to "Adam" (Othello). Analyze Iago's arguments. Determine central ideas or themes of a text and analyze their development; summarize the key supporting details and ideas. Iago's perception of women as deceptive, dominating, and lusty colors the way he portrays both Emilia and Desdemona; both are good women, Desdemona exceedingly so, yet he is able to convince other men that they are anything but what they are. End date: July 2022. He is going to ruin her credit with Othello by spreading rumors of her cheating. Iagos very language reveals the level at which his evil mind works. this quote suggests to the audience that Iago is saying his plot is so evil that hell and night shall give birth to it. What might have been a. reason for Shakespeare to employ this change at the end of the act? Soliloquies are important in many plays due to the fact that it fills the audience in on whats happening or what is about to happen, such as Iagos motives and plans. Iago is saying this to the audience. Mark me with what violence she first loved the Moor but for bragging and telling her fantastical lies. In Act 1, Scene 3, after talking with Roderigo, Iago has a soliloquy where he tells the audience that he hates Othello, who he calls the Moor. Encouraging patience, Iago subtly reinforces the parallel between his plots and drama in general: both need time to come to their climaxes. Explain the incident that led to Cassio's dismissal. Othello's self-consciousness is apparent in these words to Desdemona. The storm marks the end of the peaceful part of the play, a signal that Iago's mischief is about to begin. Who says this? is "tried" and found guilty, with. Because nettles, hyssop, and thyme can all be referred to as weeds, Roderigo gives a negative tone. In a gesture reminiscent of how other characters (Iago, Roderigo, Brabantio) have drawn on racial stereotypes to exclude Othello and cement their own relationships, he here defines himself as an "insider," a Christian, against the "outsider" or enemy, the Turk. William Shakespeares Othello uses different and unique techniques in his language to express the nature of evil throughout the play. One strategy for helping students to focus on the details of Iago's language would be to provide them with a handout of the key rhetorical terms to be used throughout the reading of Othello. The . His language dehumanizes the Turks and makes them seem animal, echoing Brabantio's dismissal of Othello in front of the Duke. In class, reread the passages cited above. Cassio, like Othello, takes people at face value. Using examples from the beginning of the scene, explain the differences between how Othello speaks about and to Desdemona and how Cassio and Iago discuss the current "situation" between Othello and Desdemona. Iago continues to orchestrate complicated sets of doubling-crossings in order to promote the illusions that will help him with his plan. Indeed, in terms of eloquence, Othello-not Iagohas the final word. This indicates the chaotic sense of the play and it foreshadows all the bad things coming up. Cassio stands in especially sharp contrast to Iago when Iago speaks lustfully of Desdemona; Cassio is full of honor when it comes to women, and the ideals of a courtier as well. Roderigo remarks, "That thou, Iago, who hast had my purse as if the strings were thine." [Act I, Scene I, Line 2]. Iago's convincing rhetoric clearly reveals what a powerful-and dangerous-tool language can be, especially when used by the eloquent, but unscrupulous, individual. This builds on Iago's soliloquy in Act 1 scene 3, where he reveals to the audience that he intends to create suspicion in Othello's mind that Desdemona is having a secret relationship with Cassio, "after some time, to abuse Othello's ear that he is too familiar with his wife..". Images. 9. Have been using her for a while and please believe when I tell you, she never fail. Iago gets Cassio drunk and then has Roderigo pick a fight with him. How does the setting change from Act 1 to the Act 2? Would not have made it through AP Literature without the printable PDFs. Contract details: Hourly rate: 10.77 PAYE. Roderigo who is crazy about Desdemona gets so carried away with himself that he is too late to realize that he had been tricked and used for his money. Delivering the pre-set work. Detailed quotes explanations with page numbers for every important quote on the site. Students shall have a choice of doing one of two things: either writing and performing a persuasive speech OR writing an essay in which persuasive technique in the play is analyzed. PDF downloads of all 1699 LitCharts literature guides, and of every new one we publish. The way the content is organized, LitCharts assigns a color and icon to each theme in. In this lesson, students explore the basis of Iago's persuasive power by analyzing his astonishing command of rhetoric and figurative language. Emilia 5. After Iago 1 finishes brief parts of his plea, Iago 2 will, after Iago 1 speaks, tell the class exactly what he is trying to do as his "good face" speaks. Here Iago is trying to convince Roderigo into getting into his plan, he also says it with a vengeful tone so that Roderigo can relate to him. Roderigo takes a decision to drown himself. Iago is painting himself as a spider. Iago and Cassio are on the watch together; Iago gets Cassio to drink, knowing that he cannot hold his liquor. Cassio 2. How does Shakespeare reveal Iago's villainy throughout 'Othello'? Iago had been convincing Roderigo that money can buy him anything, even Desdemona's love. Bhaskar Singh Bora . The following three passages will examine how language hides and reveals something about Othello, Iago and Desdemona, and how it is ultimately the downfall of the characters. In the soliloquy he makes the difference between appearance and reality still more obscure. Fey Party Recap. They really don't want to get caught but one can see their sins if they look closely. Othello as a stranger in a strange land: In order to understand how and why Iago's rhetoric might work so effectively against Othello, students should also be made aware of the powerful General's vulnerability: he is a Moor in an alien society, first in the city of Venice and then on the isle of Cyprus. Desdemona 3. Additional materials, such as the best quotations, synonyms and word definitions to make your writing easier are also offered here. My students love how organized the handouts are and enjoy tracking the themes as a class., Every teacher of literature should use these translations. Examine iago's language at the end of Act Two. Download Othello Study Guide. "With as little a web as this will I ensnare a great fly as Cassio" (Scene 1, lines 166-167) What does this quote mean? Iago tells Roderigo 'I follow him to serve my turn upon him'. They spot a ship coming forth; but Iago, Desdemona, and Emilia are on it, not Othello. However, Iago strikes gold when he figures out Cassio's weakness for drink; it is this flaw that makes Cassio finally seem human, and tarnishes his golden, polished image. He measures two points, and, with a grace inimitable, offers his Majesty the choice. Desdemona's first question is for news of Othello. Teach your students to analyze literature like LitCharts does. This is a common tactic in times of war, to foment national pride while denigrating the enemy. I got this idea from the fact that he himself may love Desdemona and in that notion he decided to dispose of those who are any feelings for Desdemona other than himself. He is able to persuade Roderigo of Cassio and Desdemona's attachment by painting an innocent gesture as a sign of familiarity; yet, all the power that is in his words is in their interpretation, for Iago is also able to say everything and nothing at once, depending on the inclination of the hearer. Meanwhile, despite Iago's demands that she obey him and be quiet. What report does Iago give to Othello and the others about the incident? Iago mentions the promotion to Roderigo, to convince him that he hates Othello; but Iago also cites his suspicions that Emilia and Othello have had an affair as another reason for his enmity. J. N. Smith. With the line, But for my sport and profit, it is clear that Iago sees enriching himself off Roderigos envy as an amusing task with such an easy mark (Shakespeare 1473). He describes Desdemona's beauty and his own longing and anguish using traditional terms, which are beautiful but also underscore the traditional masculine values spurring him to kill the "loose" Desdemona. Thus do I ever make my fool my purse (Shakespeare). Fordefinitions of "Moor" contemporary with Shakespeare, go first to the, Lastly, students should be introduced to the Roman god. Iago 4. Not affiliated with Harvard College. Francis Ferguson in Two Worldviews Echo Each Other describes the types of base, loathsome imagery used by the antagonist Iago when he slips his mask aside while awakening Brabantio: Roderigos opening lines to Iago in Act 1 Scene 1 take us to the very root of the problem: Iagos Use of Language and Villainous Behavior in Shakespeares Othello. In this soliloquy he not only describes his actions as devilish, but he also discusses how he will ensnare. Iago is a master of temptation; he is able to figure out exactly what people want, and then drive them to it, often by his mastery of speech. For example when Iago says to Roderigo, "Plague him with flies"(I,i,71). , Get to Know The Price Estimate For Your Paper, "You must agree to out terms of services and privacy policy". But his jealousy and ruin everyone violence she first loved the Moor but for and... ( I, i,71 ) tactic in times of war, to foment national while... About Iago and his manipulative language towards the other main characters does Iago give Othello! Nettles, hyssop, and Emilia are on it, not Othello and language... And Othello it no longer threatens Cyprus ; but Iago, Desdemona, and thyme all! Fordefinitions of `` Moor '' contemporary with Shakespeare, go first to the Act speaking in a lofty.... Reveal that Iago is saying his plot is so evil that hell and shall. 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