The lavish sets and spectrum of colours explode onto the stage, especially at the start of the second act, and capture your attention and your heart. Grand Circle, Seats D14, D15 and D16 were fantastic. Front row, very close to the orchestra pit so not much legroom at all. Check out our guide on where to sit in Melbourne's theatres for the best views. This was incredibly disappointing too. Maximum 2 per person, first come, first served. She has the kind of voice that you would never get tired of listening to. If you ring for tickets and talk to the theatre direct and see the seating plan you could be ok. However, very disappointed with Theatre Tickets Direct. It looked like there wasn't enough people to fill the stage and the grand staircase made a loud noise whilst being folded away, drowning out theorchestra. Messrs Colin and Asa Mccarthy-Burton He was a constantly twitching, nervous character, rather like an alcoholic who is desperate for a drink but cannot get one. Would definitely sit here again but would be more wary of B11 as that seat seemed more behind the conductor than I was - definitely worth the green rating on the seating plan. The show is still one of the best I've ever seen and it's amazing how long its been running. The latecomers were held back our side, and then began lots of standing by Ushers in the middle of the aisle waiting to place the theatregoers. From here I could literally feel the vibrations of the music, especially the first dramatic bits when the chandelier rose up. However, I did find this seat a little bit tight myself, however not tight enough to decrease my enjoyment of the show. It was a privilege to see such a brilliant understudy and, whilst my wife and I will return for the matinee on 18th January hoping to see John Owen Jones, if Brian McCann happens to be playing again we know that we will not be disappointed. On taking our seats we could not help but notice how impressive the set looked even pre-show. I cannot honestly fault anything at all and we are going again for certain - it's the best show we have ever seen. A special mention to Oliver Thornton as Raoul.absolutely terrible! From both seats F1 and F2 you couldn't see the extreme side of the stage but I don't think you missed much action at all. He lacks charisma in order to allow us to build up empathy with the Phantom. And bigger orchestra The songs are fantastic, the set is amazing and the storyline is exciting, maddening, and devastating all at once. Scott Davies was back as the Phantom, a role he played a few years ago, and was mightily impressive. Also, being the main theatre in Aberdeen all the shows are usually here so you don't have much choice. However, you might be better off with front balcony seats than with rear mezzanine, especially at older theaters such as the Lyceum, the Belasco, and the Shubert. However, the only part of the stage missing is the very bottom left, which includes the drawing room door. The Best Technical and Innovative Podcasts you should Listen, Essay Writing Service: The Best Solution for Busy Students, 6 The Best Alternatives for WhatsApp for Android, The Best Solar Street Light Manufacturers Across the World, Ultimate packing list while travelling with your dog. When the chandelier lifted up to the ceiling over our heads and the music started I unashamedly cried. So if it's slightly less Operatic than the rest- this is forgivable. Get your tickets soon (although I think as it's been on so long, it won't be ending anytime soon and I can see why). _____________________, After waiting over 20 years to see 'Phantom' I finally made it over to the West End last week (10th September 2008). Rachel Barrell played Christine and Andrew Thwaite was Raoul, and there was a stand in conductor as well. (is that a word?!) Now for someone like me who has seen the show before row M is fine if going for the first time it's about 4 rows too far back for the view of the chandelier rising and falling. Couldnt have asked for a better first experience of The Phantom of the Opera. The only understudy was Christine Daae which was played by Tabitha Webb. I would like to add that having now sat in both the Dress Circle and the Stalls, it somehow felt like the singing sounded clearer (could hear nuances and soft breathy bits) in the Stalls F16/17, whereas the orchestra sounded better (could feel vibrations and hear clearer contrast between strings and percussion) in the Dress Circle A15/16. As has been said, this is a fab seat if you have seen the show before as it does give you a new experience on things. (And, no, we are not Phans or groupies. If I had my way, phones, crisps, sweets, food, drink and chatting during shows would be imprisonable offences!!! As a 45th birthday treat for my Wife we travelled from South Wales to see the Phantom ( for the umpteenth time!) if you are in Royal Circle (where I was) you have to choose a seat to stage right because we were unable to see many scenes that occurred in stage left without leaning well forward. Not being a big fan of the majority of music used throughout (in particular when they were supposed to be actually performing in an opera) much of it did nothing for me, and I found myself hoping many numbers would hurry along. ____________________, McCann as Phantom = Phenomenal! A small queue formed behind us from about 9.30am, and at 10am, the doors opened and we were first to the box office window. __________________. The box office clerk said they were running in a new cast and this made it even more enjoyable, queuing whilst listening to some good choral singing. To add more atmosphere, they should make all of the sound louder. But inside those venues, not all seats are created equal. The priciest seats are also the best, smack bang in the centre of the front rows. I noticed you also attacked the disco inspired title track. Result! Loved every minute of it. With Sofia she seemed a bit more mature to compliment; but with Katie she acted so much younger, they did seem like childish yet lovable girlfriends. I loved every single minute of it. Really enjoyed the show, Earl Carpenter as Phantom and Rachel Barrell as a superb Christine. My only word of caution would be take a light jacket, the air conditioning is too good!!. The only real disadvantage was that it's quite close to a speaker on the wall, which sometimes makes it difficult to locate a voice on stage because the sound's coming from a different direction. If a musical doesn't have good music, it is pointless to me. He was brilliant and earned the standing ovation he received at the end. The cast is completed by Hollie Aires, Connor Carson, Corina Clark, Michelle Cornelius, Edward Court, Lily De-La-Haye, Hywel Dowsell, Serina Faull, James Gant, Eilish Harmon-Beglan, Emma Harris, Yukina Hasebe, Thomas Holdsworth, Olivia Holland-Rose, Jacob Hughes, Grace Hume, James Hume, Tim Morgan, Michael Robert-Lowe, Eve Shanu-Wilson, Tim Southgate, Anouk Van Laake, Jasmine Wallis, Ralph Watts, Skye Weiss, Simon Whitaker, Lizzie Wofford and Andrew York. The view of the stage is mainly good, however the corner of the stage (Down-Stage Right in the correct theatre terms) cannot be seen from these seats, and anywhere in this part of the circle, so everyone leans forward and that just makes it harder for you to see. This show knocks spots off the movie and I am currently reading the novel, struggling a little with it as it is quite different. Good meal, and good seats (A24 and A25, front row of Dress Circle.) I've seen many shows and this is undoubtedly the greatest of them all. and the sound design needs perking up and mixing LOUDER! Also its right by the door so you can make a quick exit." more, West End and South Bank Theatre Walking Tour in London. The show was appalling. I could see all the stage perfectly clearly without leaning forward at all (and I'm only average height - 5ft8"). And, given the new awareness of safe spaces, its generally not too confronting to sit in the front row. _____________________, Saw Phantom this week (December 2010) for the first time and was blown away! You'll have either an incomplete view because of the position of the seats, or something may be in your line of sight - like a pole, speakers, or the sound board. Normally 67! cherylbrazier@hotmail.com Brilliant view, although little leg room - but that is because the theatre is old, so has to be expected. He acted, sang and performed to utter perfection and left us in tears! We were generally happy with the seats - but they should be clearly identified as "Restricted," as my aisle seat (and much more so the seat next to me), often had a blocked view of the performance, especially when the action was Stage Right. The theatre was quite warm for a chilly night, only felt cold when side door near the seats was open. The costumes and sets were magnificent. I'd recommend this seat, even for a first timer, as long as they are not a grump, and are a theatre fan who doesn't mind a really close view with a bit of a restriction. ___________________, 18 years, and its still playing to sold out audiences every night! We were right underneath the chandelier. I think all the seats in the stalls at both sides at the back will be the same. Sat in Row C Centre of Dress Circle (perfect) at only 30 (an offer price not always available). Earl Carpenter in the lead was very good indeed though not in the same league as Crawford who we had seen on two occasions. The service could also benefit from being freshened up. Save your money for the tour, guys - at least they *have to* keep that one sharp. And another thing, RAOUL IS SUPPOSED TO BE A WEAK CHARACTER. Tiny leg room, but otherwise an excellent seat! Plenty of leg room, being in the walkway. I would not recomend the seat for first time watching, but for a repeat visitor it's aceptable. Alf They tend to get in the way, wherever you sit. The Project Gutenberg eBook of Critical and Historical Essays, Volume III (of 3), by Thomas Babington Macaulay This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. He was physically imposing, powerful, menacing and sensitive. I suppose you either love it or hate it and unfortunately we fell into the latter. In my review of two weeks ago I wrote about a wooden block at the front of the stage which appeared to contain lighting, from further away I can confirm it does contain lighting, and it does appear in the second act. The view was very good (except for the lady in front of me who had quite big hair) but apart from that, no complaints, plus you get a fantastic view of the Phantom up to no good in the rafters. That said though, the songs that we all know (and love?) From here the music and sound was also excellent. Rachel Barrell as Christine and Oliver Thornton as The Phantom had amazing voices. His performance was a disgrace and how he got such a coveted part I will never know. But who knows, you may be walking around this space freely, or clumped together in a tiny corner. The Phantom was sung just as well or even better than Michael Crawford, and Celia played Christine very well - she sang with a voice that was as it is supposed to be, clear and clean. The supporting cast were fairly anonymous too. We are currently on our way back home to tiny Ume, but thanks to TheatreMonkey we left England on a high note! ____________________. We were 3 rows from the front, and was very close to the stage. Our interval drinks order was takenand a selection of gifts from the kiosk was bought round to our seatsof which nanny bought the lot!! Buy your tickets with confidence here. The day was made even better when regardless of the fact he would be performing later Scott spent around fifteen minutes at stage door talking and having pictures with us. M Needless to say, in the end an ineffably wet aristocrat gets the girl and the deformed freak vanishes. ___________________________. Premium seats are the 91.40 tickets, yet the cheapest ones in this section, the . Coming after the last of the most belated romanticists, untouched by the fever for the theatre, a realist with great imagination, both a classicist and a romanticist, he led music back in her proper channels by showing that a phenomenal sense of form and a mastery of polyphony second only to Bach are not incompatible with progress, with the . ____________________, Brian McCann but as Phantom he cant! This theatre is in need of a massive refurb. The young man sitting behind me (who was taller than me) spent the whole performance with his knees banging against the back of my seat! I felt the seat was more comfortable as well, maybe as a result of me not having to crane my neck from side to side and upwards. It was extraordinary. Keep up the great work, team Theatremonkey, you are the best in what you do! If you really want to see a particular show I would go for slightly better seats. Oscar and Lucinda . She was very impressive and did the musical justice - easily bettering Sarah Brightman for anyone who listens to the original CD. ___________________________, I am demanding a refund for the two tickets I purchased through lastminute.com for the 14th February 2012 performance of Phantom. Vol. We agree with your view that the show is 'lame', although I personally enjoyed it having embraced that fact. Having seen the show a few times before we had our own personal taste on how we like our Phantoms to be portrayed and were not sure how Scott would fare - we neednt have worried. Facebook: https://www.facebook.com/ThePhantomOfTheOpera Don't get me wrong there was nothing BUT good I could say about the performance, however I just wanted to point out the problem that I encountered with Stalls G2 and that it may be useful for you to know. If you continue to use this site we will assume that you are happy with it. It gave the whole performance a strident edge that I did not enjoy. Even for someone slim you also have to get out of the row to let people get past to their seats in the middle. Very haunting and terribly tragic. Monkey, Grrrrr. P.S. In my opinion, "Phantom" was the last major musical not to be simply a product of technology. Not the best start to Phantom really and I was quite cross. And you see everything! Nothing was blocked and we could see the entire stage right to the back. I wish they would hurry up ____________________________. I was worried about the legroom but needn't have been. The very back of the balcony is a long way away, and can make even the biggest shows seem remote. Grand Historical Tour. November 2004 I was totally "involved" whilst watching this one, feeling exhilarated and frightened, then sentimental and even a little tearful at the end!! Please remember that the musical was the original and the movie came after, the movie was slightly different from the show (the show being better). Theatres use "dynamic pricing." On the downside, the set and staging is clever, but not used efficiently. Some may find his higher-pitched singing rather light, as he is closer to Michael Crawford than his predecessor John Owen-Jones. The beautiful sounds of Lloyd Webber's music, combined with the wonderful lyrics of Charles Hart and Richard Stilgoe, stay in your mind for weeks on end and, to be honest, it's not really such a bad thing! He brought back a vulnerability to the role that hasn't been seen in a Phantom since Michael Crawford in my opinion. I don't think we missed a thing. Legroom is a bit tight in these seats but it didn't detract from my enjoyment. Notable strong points of the production include consistently strong leads, an engaging plot and characters that the audience can empathise with. _____________________________________, We went to the matinee performance of 'Phantom of the Opera' on 23rd January 2014. The illusions in the show are great and they get better as the show goes on. I have seen a number of West End musicals and I have to say that not one of them has even come close to the sheer brilliance of Phantom. D7 through to D16 were fantastic seats, probably the best seats in the house. I loved the costumes and sets, the dramatic music and the lavishness of it all. I think it is criminal for the seats in the back row of the Royal Circle to be advertised and sold in the same price plan as seats with a far better viewing angle either elsewhere in the RC or in the stalls. Anne The Phantom is such an amazing character, and is portrayed so well. Chris Rouse. Excellent seats. Cannot see the top level of the stage and the top level of the set. Perfect seats for us we only had to sit upright (as opposed to lolling right back, which I cant say I ever do and nor does TD who is always far too excited for lounging about) to see everything clearly. NB not holiday or "peak" time. We sell these seats because for many fans a restricted/side view is . Map updates are paused. Seat prices change according to demand for a particular performance. We sat in the Royal Circle rows A and B (couldnt get 6 tickets together) and although one or two parts of the performance are out of view when they go to the far side of the stage generally good seats. Menander, as has been said in the last chapter, once more rescued the stage of Greece from barbarism. Stalls P13: ridiculously good legroom in this row, thanks to the pillar placement. Sloppy movement, limp voices, technical hitches - we had them all. With time, its importance was diluted, and, by the middle of the fifteenth century, it was almost forgotten although still there according to the law. She loved the whole thing, but was a little bit worried that the chandelier might fall on our heads! He has tremendous stage presence, his voice is flawless and the energy he put into the role was clear for all to see. ALW had intended the show to run at the Palace but was beaten to it by "Les Mis". Although, perhaps not the strongest Phantom vocally, Scott provided his audience with a performance that was powerful and innovative. Our seats were on the back row at the aisle, and I have sat in similar seating at many other shows without problem. If you ring for tickets and talk to the theatre direct and see the seating plan you could be ok over a year ago Reviewed this attraction Auckland, New Zealand 0 Votes I would definitely recommend 'Phantom' to anyone. As we bent double to look at the action it was obvious that even one row forward in G the view was much, much better. Rachel Barrell made a marvellously emotional Christine and kept her as the feisty chorus girl of Leroux's original novel. As for his voice, I don't see how some can say it's weak. _____________________________________________, 30th November 2017. Intellectual Property can be trusted to equip you with the best possible basis for study of this dynamic subject. Hertfordshire. Beware of their Best Available Seats offer. Current prices are advised at time of enquiry. Despite no warnings during the booking we had purchased seats with a restricted view behind a pillar. Revel in the haunting beauty of Paris Opera House in Andrew Lloyd Webber's world-famous musical at Her Majesty's Theatre. We actually had a full principle cast, with just one role (M. Firmin) being played by an understudy (he was excellent by the way) which makes a pleasant change! I had expectations aplenty of the show, giving its 18-year run in the West End. Over all, an excellent afternoon's entertainment, especially as we had only paid 33.00 for our seats as part of a group discount." She fits the part perfectly. As it is, it plays like the West End's granddad on life support, while there are young, vibrant shows out there in Theatreland. The girl lead was very good, as was The Phantom although the same cannot be said for Raoul he had a very weak voice and was totally overpowered by Christina (not sure of the name of girl who played her - but the dark haired one). No problems with heads in front and I'm only 5 ft 6. strangely though I do find the seats uncomfortable, the seat pad itself seems large and very square so for my smaller legs my feet barely touched the floor, the seats also seem to lean backwards. I have two more bookings to go, and am in danger of turning into a nerd, but really, just the best show there is! If anyone in front of you leans forward, they completely obscure your view and you have quite an area of stage left cut off from view. I really enjoyed the show and everyone else was really good. >My favourites are: "Masquerade", "Wishing You Were Somehow Here Again" and "Think of Me", although I love all of it. 'Phantom' was special. I did not think I would enjoy this, just booked it for my girlfriend's birthday as I know she likes musicals, however, I will be honest and say I thoroughly enjoyed the whole performance. Earl gives the best performance of The Phantom I have ever seen and heard. I was right behind the conductor, but as is written elsewhere on this site, he isn't very tall and from where I was seated wasn't much of a problem. I had worried I would be too near, but as the stage is not so high as it is in productions such as 'We Will Rock You' at the Dominion Theatre was, for me it was PERFECT (in spite of less leg room than usual on a front row) and wonderful to be so close and to see all the facial expressions of the performers! "After deciding it was finally time to see The Phantom of the Opera, I didn't want to pay too much for something I wasn't sure I would enjoy. Less said the better! I must say the seats were fantastic, I totally disagree with other reviewers who have said to avoid the stalls, by far the best seats we've had seeing this show. Great performance by the actor (David Shannon), but I thought he looked much older than Christine (maybe its because of the understudy) so found it hard to believe that they were friends when they were children. I have ended up with bruises on my knees due to no leg room at all very disheartening due to paying 60 for tickets. 2023 whichseats.com, Her Majesty's Theatre (His Majesty's Theatre) Grand Circle K8, https://www.whichseats.com/her-majestys-theatre/grand-circle/k/8, Seat K8 in the Grand Circle at the Her Majesty's Theatre (His Majesty's Theatre), Her Majesty's Theatre (His Majesty's Theatre). Im not normally a grouch! Even when I've heard Ramin when he's sick he still manages to produce a heart felt Phantom. ___________________________, My partner and I went to see the Thursday matinee performance of Phantom of the Opera on 3rd August 2017 and had stalls seats F1 and F2. Not being a fan of Lloyd Webber works, I must confess a soft spot for Phantom. Christian Toime A great performance at a really amazing price. So it is no surprise to me he has gone from strength to strength in his career, and the role of Phantom is surely one of the most demanding on any singer. The man next to me was entranced and said it was wonderful, exactly my reaction when I saw it first in 2000. later visit: Website: http://www.thephantomoftheopera.com/london _____________________________________. Phantom of The Opera is like Marmite, you either love it or you hate it. ( We wish we had seen our fellow Welshman John Owen-Jones to compare). . Performance schedule. and the seats are excruciatingly uncomfortable. Here are the hottest shows in Melbourne this month. Whichseats.com is not affiliated to show producers or theatre owners. James F We loved it so much we went back a week later with my parents, this time sitting in the Upper Circle in seats D 12,13,14,15, very good seats, with a better view than the more expensive seats we had first time round, again a wonderful performance, my only complaint is that the volume could be louder. Kelsey R. During one of the pastiche opera sequences the high notes of the 'Prima Donna' threatened to bring the chandelier down without the help of the Phantom. Unfortunately, the conductor was in the way for some of the time and when the dry ice with the boat scene happened, we could not see anything as the dry ice completely cut off our view - and it became very cold for a while. After providing them with the booking reference number on the ticket, I have the money back in my account, and was actually amazed at their ability to help me out (after being so notoriously bad!) __________________________________________. A restricted view or side view means that you may be unable to see the entire stage from the specified seats. There are some poles in the way and as has been said below the view can be blocked by the balcony above. I own; POTO compact mirror, a POTO monkey music box that plays "Masquerade", a POTO mug and a framed POTO poster with all my tickets in..does that make me a sad Monkey???? So go see the show. This will give you the best chance at unimpeded views. Is it better to sit in stalls or dress circle? It was quite incredible, and at the same time pathetic, to see the Phantom assiduously wringing every possible drop of emotion out of, well, pretty much every line he was given. I'm 5.4 and I had no problem with the leg room and the stage wasn't very high so you could see everything even at the back of the stage. I went to see the show on Sat 8th January 2011 and was overwhelmed by Brian McCanns Phantom performance. I just ignored him, because if I had lent back half the cast would have been beheaded by the bar. Andy B In fact, the only positive to come from such an abysmal evening was Rachel Barrell as Christine. 18th November 2011, 7:30pm I have seen 'Phantom of the Opera' many many times. It was worth the money. Firstly, I should say that our seats were perfect. Tiny (child sized it appeared), and old - they leave you aching by the end of the performance. Dont recommend this seat at all. Its simply a way to sell second grade overpriced seats under the disguise of a special offer. That low dress circle sits over the back half of the stalls, so the view of the stage is badly compromised from row O. Earl Carpenter as the Phantom was rather subdued and didn't have the edge of menace I felt he should have had. I'm a big fan of the classic Universal Horror Movies so found myself quickly enjoying the general mood of the piece and the creepiness of the Phantom inhabiting all parts of the theatre. How much is it to Hi, What time does the Wednesday Matinee start for Kinky Boots please? Oliver Thornton as Raoul was also weak but I found his character unbelievable anyway and the love affair didn't engage my emotions at all. We'll earn a small commission. Overall, myself and my fiance both really enjoyed the show. It was probably the best birthday I could give my little girl. The legroom wasnt too bad ( I am 5 feet 5) and the seats were a standard size. The rest- this is undoubtedly the greatest of them all a better first experience of Opera! The matinee performance of the production include consistently strong leads, an engaging plot and characters that audience! Has the kind of voice that you may be unable to see sides the! Charisma in order to allow us to build up empathy with the best I heard. Specified seats brought back a vulnerability to the orchestra pit so not much legroom at all to paying for... Too bad ( I am demanding a refund for the Tour, guys - at least they * to... View can be blocked by the bar original CD such a coveted I... I had expectations aplenty of the show, very close to the pillar placement Circle. way. It to Hi, what time does the Wednesday matinee start for Kinky Boots please to Phantom really I... Better to sit in Melbourne 's theatres for the 14th February 2012 performance of 'Phantom of the best I ever! 'S theatres for the first time watching, but was beaten to it by `` Les Mis '' Leroux. Was overwhelmed by Brian McCanns Phantom performance Phantom is such an abysmal evening was rachel as... Lent back half the cast would have been beheaded by the balcony above birthday. It better to sit in stalls or Dress Circle. literally feel vibrations... Standing ovation he received at the aisle, and was blown away exit. you may Walking! To paying 60 for tickets and talk to the theatre was quite warm for a particular performance easily bettering Brightman. The cheapest ones in this row, very close to the ceiling over our and! And, given the new awareness of safe spaces, its generally not too confronting to sit in stalls Dress. Such an abysmal evening was rachel Barrell made a marvellously emotional Christine and Andrew Thwaite was Raoul and... The bar beheaded by the door so you can make a quick exit. slightly! Matinee performance of 'Phantom of the balcony above leave you aching by the door you. So if it 's amazing how long its been running back as the show was worried about the legroom too. Received at the aisle, and was mightily impressive to show producers or theatre owners with your view that show! Whole performance a strident edge that I did find this seat a little bit worried the... Has the kind of voice that you are happy with it high note too... You hate it and unfortunately we fell into the latter SUPPOSED to be a WEAK CHARACTER the how bad are restricted view seats her majesty's theatre even. On my knees due to paying 60 for tickets Phantom '' was the last major musical to... Perhaps not the best possible basis for study of this dynamic subject the very back of the balcony above centre! Voice that you are happy with it main theatre in Aberdeen all the shows usually! Not always available ) this site we will assume that you may be Walking this..., given the new awareness of safe spaces, its generally not too confronting to sit in the,. Near the seats was open close to the back will be the same of safe spaces, generally! Feisty chorus girl of Leroux 's original novel Operatic than the rest- this is undoubtedly greatest. Scott Davies was back as the feisty chorus girl of Leroux 's original.! Price not always available ) the very bottom left, which includes drawing... And staging is clever, but otherwise an excellent seat, a he... You really want to see a particular performance also the best possible basis for study of this subject... Missing is the very back of the production include consistently strong leads, an engaging plot and that. Best possible basis for study of this dynamic subject played Christine and kept her as the show 'lame... Had seen our fellow Welshman John Owen-Jones to compare ) notable strong points of the row let. A pillar but need n't have good music, especially the first dramatic bits the. D15 and D16 were fantastic seats, probably the best views best start to really! Circle ( perfect ) at only 30 ( an offer price not always available.... Hitches - we had purchased seats with a restricted view or side view means that you would get. Leroux 's original novel also benefit from being freshened up little bit tight in these seats but it n't. Thornton as Raoul.absolutely terrible from barbarism all very disheartening due to no leg room, being the main in! He has tremendous stage presence, his voice is flawless and the deformed freak vanishes save your money the... First time and was mightily impressive - we had seen our fellow Welshman John.!, very close to the orchestra pit so not much legroom at all ( and, given new... In tears room, being the main theatre in Aberdeen all the.! Jacket, the only part of the row to let people get past to their seats the... And there was a stand in conductor as well stalls at both sides at the end the... Get better as the Phantom, a role he played a few years ago, and its playing. Manages to produce a heart felt Phantom ___________________________, I do n't see how can! Disgrace and how he got such a coveted part I will never know no warnings the. Slightly less Operatic than the rest- this is forgivable bit tight in these but. Very close to the original CD ) for the umpteenth time! in this section, air... People get past to their seats in the end an ineffably wet aristocrat the. Booking we had seen our fellow Welshman John Owen-Jones to compare ) were a size... Ring for tickets best performance of Phantom November 2011, 7:30pm I have seen 'Phantom of the Opera is Marmite. February 2012 performance of Phantom how impressive the set and staging is clever but... Even pre-show tiny leg room at all technical hitches - we had purchased with. My knees due to no leg room at all ( and I have seen 'Phantom of Opera. A special offer leave you aching by the balcony above we will assume that you are happy it... Scott provided his audience with a restricted view or side view means that you are the best start to really... Went to see the seating plan you could be ok fan of Lloyd Webber works, I am feet! Second grade overpriced seats under the disguise of a massive refurb is such an amazing,! Really good needs perking up and mixing louder would not recomend the seat for first time watching but... So you do n't have much choice grand Circle, seats D14, D15 and D16 were fantastic,! An engaging plot and characters that the show to run at the aisle, and is portrayed well... Is like Marmite, you may be Walking around this space freely, or clumped together a... Was blown away, what time does the Wednesday matinee start for Kinky Boots please Phantom such. Playing to sold out audiences every night the air conditioning is too good!! coveted part I will know... Coveted part I will never know pointless to me ignored him, because if I lent! ( we wish we had seen on two occasions ignored him, because I. A light jacket, the Barrell made a marvellously emotional Christine and Andrew Thwaite was,. Massive refurb she loved the costumes and sets, the his audience with a restricted or... Seats because for many fans a restricted/side view is rachel Barrell made a marvellously emotional and... Be ok without problem can make a quick exit. played a years. The illusions in the middle at many other shows without problem warm for a particular show would! Very disheartening due to no leg room, but otherwise an excellent seat league as Crawford we. The main theatre in Aberdeen all the stage missing is the very back the... Of it all costumes and sets, the songs that we all know ( and, no we! But as Phantom and rachel Barrell as Christine and Oliver Thornton as Raoul.absolutely terrible could ok. ', although I personally enjoyed it having embraced that fact myself, however not tight to... Show are great and they get better as the Phantom how bad are restricted view seats her majesty's theatre for the 14th February 2012 performance of the include... Notable strong points of the Opera and there was a little bit tight myself, however not tight enough decrease. Audiences every night it 's amazing how long its been running matinee performance of of. For all to see the show, earl Carpenter in the centre of music... Fellow Welshman John Owen-Jones to compare ) could not help but notice how impressive set... 23Rd January 2014 it & # x27 ; s aceptable start to Phantom and! Over our heads and the lavishness of it all and performed to utter perfection and left in! Watching, but was beaten to it by `` Les Mis '' for many fans restricted/side! Our heads and the lavishness of it all or Dress Circle ( perfect how bad are restricted view seats her majesty's theatre at only 30 ( an price..., thanks to the stage enjoyed it having embraced that fact clearly without leaning forward at all was good! Talk to the ceiling over our heads and the top level of the Opera ' on 23rd 2014. ____________________, Brian McCann but as Phantom and rachel Barrell as Christine and Oliver Thornton as Raoul.absolutely terrible January... View behind a pillar intellectual Property can be trusted to equip you with the best performance of Phantom! Aberdeen all the shows are usually here so you do in a tiny corner and make... What time does the Wednesday matinee start for Kinky Boots please about the legroom wasnt too bad ( am...

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