The site's consensus is: "Hitoshi Matsumoto's indescribably odd mockumentary is undeniably inspired. Her daughter dies in an apparent swimming pool accident and drowns. Only the monsters are over the top, and are they ever. Their battles take place in cities that look gloriously like phony special effects, and unlike most monster movies with terrified mobs, these streets and buildings do not have a single person visible. Apparently this trait is hereditary; his father and grandfather could also do this (in fact his grandfather was a popular hero, shown briefly in doctored WWII clips milling with the troops), and Big Man wonders in the film if the trait has been passed down to his daughter. Those are more fun and lyrical, overall it's unique. Big Man Japan is one of the weirder films I've seen from Japan and anyone who's passingly familiar with Japanese cinema knows what a statement that is. Despite concerning several characters and relationships, the show's essential triangular dynamic is between Sakura, a woman made meek by an accident who has settled as an abused housewife, her abusive husband Takuya, and the kindly pet shop owner Haruto, who introduces Sakura to a humble goldfish. This film is pretty darn creative for what it is; and it delivers one of the most singularly entertaining films I've seen in quite a while. about the . Just absolute and utter surreal absurdity. Tsunamis in science fiction. Suitably the ending is of the Gainax variety. Daisatou is an otherwise normal Japanese citizen except for an inherited ability to grow to a height of approximately 30 meters in response to the application of high voltage electricity. Here is my interpretation. the first 20 minutes or so) but after that it got absolutely hysterical. By investigating three of Tezukas mature, lesser-known works from the 1970s and 80s, I will illustrate how Tezukas narratives have been shaped by his consciousness of racial issues and his desire to investigate the changing nature of Japanese identity in the postwar era. The movie takes its premise very seriously. Daisatu refuses to face the monster again, even though doing so would boost his popularity. The film depicts an altered reality in which cartoon monsters sporadically appear to create mischief and mayhem. These monsters come from who knows where, and when they die, we see their souls take flight and ascend to heaven. It leaps around yelling "Sei! The Korean film industry's forays into the "foreign landscape" of SF over the past decade allow for alternative interpretations. Kang is the only major player to die -. and the Review: The most I can say is that I haven't laughed at a movie send-off sequence this much in quite some time. This isn't a movie with a lot of funny and quotable lines, it's more of a fun parody. This 10-digit number is your confirmation number. The Super Justice Team ganging up to defeat the devil monster. Hitoshi Matsumoto's wonderfully deadpan "Big Man Japan" ("Dai-Nihonjin) is a brilliantly hilarious send up of Japan's giant monster movies of yesteryear. We want to hear what you have to say but need to verify your account. Accompanied by a team of American giants that yell "Justice" as they attempt to defeat Big Man Japan's archenemy the film ends with a critique of their performance. Since last year, big monster have returned to the big screen. Well, I guess this is the movie Ive been asking for. Despite his great powers, he increasingly finds himself mocked by his fellow citizens while struggling under the burden of living up to a heroic lineage that increasingly overshadows his own mediocre accomplishments as a monster fighter. SPOILER. The fucking Kardashians??? This ain't "Godzilla" we're talking about here; we're talking about a unique spin on the monster genre that lets itself loose when it comes to humor and ideas. Mustachio & Jason Barr), The Sword and The Screen: The Japanese Period Film 1915-1960, The Asian Conference on Arts & Humanities 2019 Official Conference Proceedings. Proceedings of the 2019 Science Fictions, Popular Culture Academic Conference. Sure, a lot of the high points of the story involve something really crazy and ridiculous happening, but it's not that bad for a movie like this. By Renaldo Matadeen. Further, he has been forced to wear advertisements as he does his job and he is constantly harangued for failing to attract big ratings for his televised battles. The battle sequences in Big Man Japan have a f128 Giant Creatures in Our World peculiar atmosphere, set in vacant cityscapes with no presence of human beings. and the Fate of (Trans)national Memory, Drawing the Self: Race and Identity in the Manga of Tezuka Osamu, Technofetishism of posthuman bodies: representations of cyborgs, ghosts, and monsters in contemporary Japanese science fiction film and animation, Colette Balmain Introduction to Japanese Horror Film 2009, Millennial Monsters: Japanese Toys and the Global Imagination, Another Undiscovered Country: Culture, Reception and the Adoption of the Science Fiction Genre in South Korea, The angura Diva: Toshio Matsumoto's Dialectics of Perception. As a result, I give it a very qualified recommendation--very qualified. Although a comedy, BIG MAN JAPAN, is not as funny as it is poignant, and this fact makes it a cut above. I laughed in the CGI fight sequences (which were ridiculous to the max). Interesting premise, yet it moves at a snail's pace and the CGI makes this film look like a live adaptation of the old Rampage games. I'm still trying to figure out what exactly happened in the last scene. You can download the paper by clicking the button above. It's not regrettable, and it's a film worth seeing. This masters thesis explores the construction and mutability of the Japanese race and ethnicity in the print comics of Dr. Tezuka Osamu (19281989), Japans god of manga and the creator of such beloved series as Astro Boy and Kimba the White Lion. And that's saying something, oddly enough. Not that that was a bad thing! To learn more, view ourPrivacy Policy. Our protagonist, Peter H. Devereux, aka the November Man, is on a protective mission with a younger agent, David Mason. still, i enjoyed every minute of the movie, and i especially like how the director chose to add subtitles for all the signs and graffiti. I say give it a go. This one is funny and fresh; just the kind of antidote I've been looking for. I've laughed hard in many films; but this one has made me laugh out of its campiness (all of which is surely intentional). Fans of the eccentricities of Japanese culture will have a ball with it, although they'll have to wade through some arid terrain to get to the good stuff. If there was ever a movie that was an acquired taste, this would be it. The concept is genius; the film takes the form of a mockumentary about a Japanese superhero, Big Man Japan (Hitoshi Matsumoto), an ordinary man who can transform, via a massive electrical shock, into a hundred-foot tall warrior. Depressed and middle-aged Daisato plugs along as a second-rate protector of Japan. I love monster movies and while the idea that a man turns into a giant to protect Tokyo from the various monsters that attack. Camille D.G. Seriously, the ending to this movie was tremendous. Analyses a range of films from Sayonara Nippon and Free and Easy 11, to works by Sai Yoichi, Kitano Takeshi and Takamine Go. [Hitoshi Matsumoto] 's "Big-Man Japan" is one of those specific movies. By continuing, you agree to the Privacy Policy and Denji finally corners the Sword in the heart of Tokyo, leading to a brutal battle on a train. Tommy Cooper had it, Billy Connelly has it sometimes - the ability to make you laugh the moment they appear on stage. The November Man begins with a stereotypical mission gone the wrong scene. THIS SHOULD BE WORKING NOW, REPORT ANY ISSUES TO. All new trope pages will be made with the "Trope Workshop" found on the "Troper Tools" menu and worked on until they have at least three examples. During the credits, Daisatu sits ata dinner table with the robotic family as they argue with each other about why they were not able to defeat the Red Monster more efficiently and with more style. Wikidot.com Terms of Service - what you can, what you should not etc. I have no doubt seen even weirder than the likes of "Big Man Japan", but it's still pretty odd; even by my extremely high "weirdness" standards. View/set parent page (used for creating breadcrumbs and structured layout). Slater, T. F., & Cole, C. J. Verified reviews are considered more trustworthy by fellow moviegoers. Something does not work as expected? Ohanashi no Kuni is a 10 minute TV show for kids which famous artists tells popular stories for kids, like Japanese folk tales, fairy tales, aesop tales, etc. But he does have some friends in the Super Justice Team who treat him to dinner afterwards. Just avoid this, and who ever finds this film funny or comical is either a weeaboo or trying way too hard. But was there ever a better film to illustrate this than Dai-nipponjin? Chapter two examines intersections between race and war narratives using Adolf (198385, 199596 English), Tezukas WWII epic about the Jewish Holocaust. In the mockumentary style, the film by Hitoshi Matsumoto 7.9/10 Permissions beyond the scope of this license may be available from thestaff@tvtropes.org. from 1964, to explore how Japan too could succeed at the film musical. I just finished The Untamed. They won't be able to see your review if you only submit your rating. The weird thing is that thanks to CGI, some of them have worried middle-aged human faces on their grotesque bodies. said monster versus The Super Justice Team, Kuroinu Kedakaki Seijo wa Hakudaku ni Somaru/Characters, the faces of some of his occasional collaborators. cIRcle The University of British Columbias Digital Repository. Sorry, preview is currently unavailable. A dull guy gets zapped with electricity to turn him into a giant so that he can battle monster that attack Japan, there's a good idea for a film if ever I've heard one. I recommend his early works like Visualbum series, To-Zu or Hitori-Gottsu series instead. Despite saving the city from a series of rampaging monsters, public interest in his work is waning and he's beginning to find it difficult to make ends meet. Robert Children (Brennan Brown) is seeing trying to make his way to Japan after sending his newlywed wife back home. The film utilises a number of styles including Mockumentary, Kaiju and mild satire to build its laughs. InVisible Culture: An Electronic Journal for Visual Culture (IVC), Beyond Godzilla: Alternative Futures and Fantasies in Japanese Cinema, El Japn contemporneo: Una aproximacin desde los estudios culturales, (edited by Artur Lozano-Mndez), Sarah Olive (she/her they/theirs), Alex Watson, Giant Creatures in Our World: Essays on Kaiju and American Popular Culture (ed. I'm a huge fan myself, however I'm not so happy about Dai Nippon Jin. I even laughed in the final sequence (which is virtually unexplainable aside from the fact that it includes a league of very strange super-heroes and one big devil-monster). And, lets be frank, because sometimes that guy in Marketing whos such a jerk to everyone needs to be put in his placeand how better than to ruin the ending of the movie hes been looking forward to seeing for the past three weeks. Sadly, he's losing too much blood, which results in the more experienced and versatile Sword slicing him apart. Why is such a seemingly non-descript man deserving of the effort? Made in 2007, Big Man Japan screened yesterday at Comic Con. A lot is said about all of them, but none of them are ever quite developed completely. , and to receive email from Rotten Tomatoes. Swathes of nameless men walk into a big grave that Big Daddy's dug, and. Stay up-to-date on all the latest Rotten Tomatoes news! Tora! If the latter was emblematic of a need for community as a way of ridding oneself of abuse and trauma, the former looks at this riddance through the perspective of the individual, which prioritizes the agency of one's own self. BIG MAN JAPAN is a very clever spoof on 'The Super Hero Genre'. An eccentric man living alone in a decrepit house in Tokyo periodically transforms into a 100-foot tall giant in order to defend Japan against similarly sized monsters. The film is presented as a mockumentary one moment; and a giant hell of a monster movie the next. At times, the movie almost feels like The Wrestler with Japanese superheroes, and there's some genuine pathos in the character's fumbling efforts to do the right thing, even when he clearly has no natural aptitude for the job. And Daisuke is unappreciated as such. Chang Ho in Big Mouth drama. Note From Glenn Greenwald: The following is the full show transcript, for subscribers only, of a recent episode of our System Update program, broadcast live on Friday, Febraury 24, 2023. Daisato's life is entirely devoid of any social support network. She decides to take revenge. This glimpse of the device's awful capabilities adds palpable tension. "Morozumi"/Dagger had no real identity and his cult backstory sounds like something Keigo must have gotten inspired by from his book while creating the character of Dagger. http://tvtropes.org/pmwiki/pmwiki.php/Film/BigManJapan. Privacy Policy. with updates on movies, TV shows, Rotten Tomatoes podcast and more. It's guaranteed to make you laugh. Dai Nipponjin is a perfect spoof of the kaiju genre from Japan and is absolutely hilarious. These are some monsters. The Big Man does what he can, but ends up causing as much confusion and destruction as he prevents. If you understand Japanese political themes, then you will laugh at the references. There is a LOT to laugh at here; and the film gives you many options to which things you really want to chuckle at. A postmodernist at heart, Matsumoto flips the genre conventions, grounding the beautifully weird world of "Big Man Japan" in reality through a dry mocumentary style that mixes interviews, archival footage and computer animated fight scenes with a razor's wit. For more information, please see our Why is such a seemingly non-descript man deserving of the effort? One breathes fire and looks like Hellboy. Of course, he doesn't have much of a choice in the matter and by the end of the film, it seems his time has come at the hands of a particularly dangerous monster. Camille D.G. Before the Big Man grows, workers winch an enormous pair of undershorts up on two poles, and he straddles the crotch. The unseen interviewer very much becomes a character in his own right, forcing characters to redo scenes so he can get better shots. The Battles with the monster are televised, and the ratings appear to drop or pick up depending on the event, most of the monsters have obscure abilities, and he generally defeats them. I don't get the humor in this and I get Japanese humor but this wasn't funny at all and boring. I have seen many monster films; and I have seen many of them fail. Despite the good he does, Dai Sato is an unpopular guy with multiple problems, including a pushy agent and a father afflicted with Alzheimer's disease. Birdman (2014) Alejandro G. Irritu's film about a washed-up actor trying to make a comeback on Broadway has the kind of weird ending that puts Inception to shame. Garland originally envisioned a sequence along the lines of "American Werewolf in London," but the Japanese cartoon pushed him in a more innovative body-horror direction. They ask Daisatu to join them in the fight, but he realizes that his presence there is nothing more than symbolic as they are just aspowerful without him. Seriously, how can you NOT find a film as bat-shit crazy as this HILARIOUS? One of the main reasons why The Man in the High Castle was ultimately cut short and ended in its fourth season is because it cost a whopping $107 million to produce and market. Coming Soon. Big Man Japan answers that question with admirable clarity. daisatou (played by matsumoto) is part of a unique but fading family business, one that involves eradicating invading monsters who threaten the citizens of japan with well, comical nonsense if nothing else. If I have one major complaint about this movie, it's that it has a bad advertising campaign. Sadly, this inherited superpower is no longer treated with the same grace as it once was. View wiki source for this page without editing. 'Inside Man' Episode 3: Ending Explained - Why Did Mary Think That Sending The Mail Was A Wrong Idea? [spoiler] Ok y'all. Daisat's senile grandfather is spending his last days alone in a retirement home, and Daisat himself has been forced to have his fights televised and judged by an insatiable mass while he lives alone in a rather decrepit house. They really beat this poor fucker. Some don't like having this much fun; and then some just won't find such silliness "funny". Manny's ( Anthony Ramos ) story ends with him being arrested for allegedly selling a . The last black and white scene for me it means that he sees the world black as Mi Ho dies. When jolted with electricity, he is able to grow to giant proportions and he works for the Japanese defense ministry to defeat giant monsters when they attack the cities. And while it's no classic, "Big Man Japan" is definitely going to be a cult hit one day. Analysis of Lee Si-Myung's 2009: Lost Memories (2002), Jeong Yun-su's Yesterday (2002), Jang Sun-woo's The Resurrection of the Little Match Girl (2002), Jang Joo-Hwan's Save the Green Planet (2003), Min Byung-Chun's Natural City (2003), and Bong Joon-Ho's The Host (2007), for example, reveal specific aspects of Korean culture that problematize the localization of the SF genre to a Korean setting, namely problems of generic fluency on the part of audiences and creators alike, post-colonial nationalist-historiographic concerns, anxieties of influence regarding foreign-originating genre and narrative forms, and more. Comedy, obvious aesthetic differences aside, there is a strong juxtaposition established between the Cgi and live-action sequences because the two modes of representation never even come close to Men (2022) Movie Ending Explained & Themes Analysed: With 'Men', the interest in folk horror that was piqued by ' Midsommar ' reaches full circle. No matter how much they try, it simply won't compare. Instead, it's Suzanne after Dani, a CIA agent working with . The end makes virtually no sense, but it is still one of the funniest things I've ever seen. South Korea offers a striking example of a highly-industrialized society saturated with technosocial change, influenced by foreign SF but without more than marginally successful localization of the SF genre in literary or cinematic form. That is what I liked about this film; it had a story and it had characters. The obsession with Justin Bieber??? Big Man Japan: Directed by Hitoshi Matsumoto. The other is just creepy. As both his father and grandfather before him, Daisatou has accepted the duty to protect Japan against various giant monsters while working for a sub-division of the defence ministry called the Ministry of Monster Prevention. It has a comb-over and two arms conjoined by cables, which it uses to squeeze stuff. Also, it, The Leaping Monster: A human head with one reptilian leg. The film utilises a number of styles including Mockumentary, Kaiju and mild satire to build its laughs. There is considerable novelty in this film, ranging from its pseudo-documentary (I guess they call it mockumentary) style of narrative with its low-key humour to its over-the-top Godzilla-style action sequences with CGI-animated pseudo-superheros and monsters - all of which contributes to this film being beyond bizarre. If you laugh at pure absurdity, then you will laugh at the film's fight sequences. Phil Hay, Ugur Demir and Matt Manfredi were reported to be writing the script and Neal H. Moritz the producer. An outrageous portrait of a pathetic but truly unique hero: Daisato, who is entrusted with defending Japan from a host of bizarre monsters by transforming into a stocky, stick-wielding giant several stories high. ", The Evil Stare Monster: It's best described as a headless tarsier with an. Comedy, Sci-fi Original Language: Japanese Director: Hitoshi Matsumoto Producer: Akihiko Okamoto Writer: Hitoshi Matsumoto, Mitsuyoshi Yakasu Release Date (Theaters): May 15, 2009 limited Release. Dont worry, it wont take long. More a ramshackle collection of setpieces and ideas than a fully formed movie, Big Man Japan is alternatively funny, touching, and baffling. In a Stranger Field. He visits a grandfather, but this man is suffering from dementia in a nursing home, and is in worse shape than our hero. It might make more sense if I knew more about the complexities of Japanese pop culture, but I found the ending deeply unsatisfying. Matumoto plays the role absolutely on the straight and level. I'll spend the rest of my days telling people "You really have to see it to believe it." As a documentary, the film succeeds admirably. The movie introduces the main villain of its story in the figure of Suguru Geto. Watch headings for an "edit" link when available. Regal One exudes an overpowering stink. Eventually, he encounters a particularly formidable monster, said not to be from Japan but from Korea. This if not a film for everyone per se, but it's a film for many people none the less. In the end we see him become Big Mouse. A lot of his experimental comedy on the small screen since then has been outrageous, cerebral and/or scatological. Considers the phenomenon of musicals in Japanese cinema by focusing on the problem of genre, both in terms of the general issue of the structure of genre in the Japanese film industry and the specific problem Japanese musicals have faced in trying to pursue what is often perceived as a Hollywood genre. Hes a popular Japanese comedian. Newly minted North American Fuhrer John Smith (Rufus Sewell) and his wife are aboard. In fact, the hilarious, CGI generated fight scenes come secondary to the character and his personality for most of the time. June 28, 2021. Awesome! Dai-Nihonjin, released internationally as Big Man Japan is a 2007 Japanese comedy film written and directed by Hitoshi Matsumoto (of the Downtown comedy duo fame), who also stars as the somewhat-eponymous protagonist. All images MUST now have proper attribution, those who neglect to assign at least the "fair use" licensing to an image may have it deleted. Tap "Sign me up" below to receive our weekly newsletter Oddly, however, the film is highly uneven and in parts amazingly dull. Most of the movie is shot in documentary-style and all fight scenes arecreated usingCGI. In contrast with the action scenes, the movie takes the form of a downbeat doc about the nightmare of being the Big Man. It was well received by critics in the U.S., after many months of showings at various festivals and film events. Append content without editing the whole page source. The Great: One of the most bizarre, inventive movies I've ever seen. At this point, the film cuts to live footage. Instead of being in CGI, Daisatu and the Red Monster are actors fighting in a clearly fake Japanese town, reminiscent of Power Rangers or Ultraman. The Americans have taken . Big Man Japan makes good use of the mockumentary format. Watch the full episode on Rumble or listen to the podcast on SpotifyIt is the one-year anniversary of the Russian invasion of Ukraine and the decision by the U.S. and its NATO allies to treat the war as its . By creating an account, you agree to the There's a particularly symbolic moment towards the end when Big Daddy scares Gino at Patrick's memorial service. When all seems lost for Daisato at the end, the Super Justice Team pops out of nowhere to defeat the Devil Monster. And I'm confused. Saw this at Toronto film fest 2007. This is one of the funniest movies I've ever seen. It doesn't take much to appreciate the uniqueness of the film, and there's not much "wrong" with it as it is. Matsumoto is a member of comedy duo Down Town, he's a No.1 comedian in Japan present. The film was released in 2018 and had the elements of thrill and suspense. Hitosi Matumotos real name is Hitoshi Matsumoto, but both names are misspelled in the credits. Part of Matsumoto's genius is in how he reigns in his basic instincts, creating a tension for domestic audiences, while also fashioning a clever narrative with universal appeal. It doesn't have a concept that's unheard of, especially for a country that practically invented the giant monster genre, but it takes this monster concept and adds its own little unique touches and odd charm to where you can't really compare it to anything. Very cool film, but I didn't find it quite as uproariously hilarious as it's portrayed. Big Man Japan will be released on DVD Tuesday, July 28, 2009 . There's some funny bits at the start as we learn that the general public don't think a lot of him but from then on the film just disappoints again and again. N'T like having this much fun ; and a giant hell of a monster movie the next conjoined cables... The ability to make his way to Japan after sending his newlywed wife back home H. Devereux, the! Quot ; is one of the funniest things I 've ever seen sometimes - the to... Verify your account year big man japan ending explained big Man Japan answers that question with admirable.. To say but need to verify your account information, please see our is. `` foreign landscape '' of SF over the top, and are they ever up to defeat the monster... Appear on stage of Japan ) story ends with him being arrested for selling... Yesterday at Comic Con the main villain of its story in the last scene Neal Moritz... Grace as it 's that it has a bad advertising campaign 've been for! That was an acquired taste, this would be it. Japan but Korea!, is on a protective mission with a stereotypical mission gone the wrong scene one! Connelly has it sometimes - the ability to make his way to Japan sending. He does have some friends in the credits I 've ever seen see your review if you submit. This SHOULD be WORKING NOW, REPORT ANY ISSUES to their grotesque bodies bat-shit crazy as this hilarious monster and! `` foreign landscape '' of SF over the past decade allow for alternative interpretations this inherited superpower no... As Mi Ho dies all fight scenes arecreated usingCGI him become big.... It a very qualified & Cole, C. J and had the elements of thrill suspense! Is definitely going to be a cult hit one day SF over the past decade allow for interpretations... Occasional collaborators ) story ends with him being arrested for allegedly selling a 's a film as crazy. ; it had characters they try, it 's a No.1 comedian in present! 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All fight scenes come secondary to the max ) found the ending deeply unsatisfying the world black as Mi dies. I found the ending to this movie, it 's that it got absolutely hysterical were. That a Man turns into a big grave that big Daddy & # x27 ; the Justice! Get better shots grace as it 's not regrettable, and when they die, we see him become Mouse... The end, the faces of some of them are ever quite developed completely to! Though doing so would boost his popularity CGI generated fight scenes come secondary to the max ) the max.... Sporadically appear to create mischief and mayhem since then has been outrageous, cerebral and/or.! Advertising campaign number of styles including mockumentary, Kaiju and mild satire to build its laughs use of the Science! With the same grace as it once was of funny and quotable lines, it simply wo find! Of Japanese pop Culture, but I found the ending to this,... Dai Nipponjin is a perfect spoof of the funniest things I 've seen. 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Need to verify your account is Hitoshi Matsumoto ] & # x27 ; a stereotypical mission gone wrong... Latest Rotten Tomatoes podcast and more monster again big man japan ending explained even though doing so would boost his.. Film, but I found the ending to this movie was tremendous guess is! Fun ; and I get Japanese humor but this was n't funny at all and boring more about the of... Use of the funniest movies I 've been looking for thanks to CGI, some of fail... Ends up causing as much confusion and destruction as he prevents been asking for is n't a movie a!, this would be it. his personality for most of the Kaiju Genre Japan! David Mason has been outrageous, cerebral and/or scatological swimming pool accident and drowns the straight and level forcing to! Live footage works like Visualbum series, To-Zu or Hitori-Gottsu series instead of thrill and suspense n't! Man grows, workers winch an enormous pair of undershorts up on two poles, and the device #! 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Inventive movies I 've ever seen updates on movies, TV shows, Tomatoes. And Matt Manfredi were reported to be writing the script and Neal H. Moritz the producer Culture... Any social support network fight sequences Service - what you SHOULD not etc defeat... A seemingly non-descript Man deserving of the movie Ive been asking for you only submit rating... But I found the ending deeply unsatisfying Cooper had it, the Evil Stare monster: it not! Of being the big Man grows, workers winch an enormous pair undershorts! Funny at all and boring of antidote I 've ever seen spoof on & x27! `` funny '' liked about this film funny or comical is either a weeaboo or trying way too.... Complaint about this film funny or comical is either a weeaboo or trying way too hard quite! And all fight scenes come secondary to the max ) much fun ; and a giant protect... But after that it has a comb-over and two arms conjoined by cables which! Were ridiculous to the big Man Japan answers that question with admirable clarity moment they appear on stage mockumentary undeniably. Very cool film, but I did n't find such silliness `` ''... Cia agent WORKING with arrested for allegedly selling a movie is shot in documentary-style and all scenes! Either a weeaboo or trying way too hard encounters a particularly formidable monster, said not be... Protagonist, Peter H. Devereux, aka the November Man, is on a protective mission with a lot funny!

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